Not on the Bills
| Preis: | 10.95 EUR* (inkl. MWST zzgl. Versand - Preis kann jetzt höher sein!) |
| Versand: | 0.00 EUR Versandkostenfrei innerhalb von Deutschland |
| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Tubbs, Arthur Lewis) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Not on the Bills: A Farce in One Act Story Of The Play Lora Livingston, leading lady of a theatrical company, is engaged to Frederick Ainsleigh, the leading man. She is afraid he flirts when out of her sight. To test him she disguises herself as "Mandy Slocum," a stage struck country girl, and completely fools Banks, her manager, and Jimsy, the office boy. "I aim to act. I´m going to call myself ´ Evelina Everglade.´ " Banks doesn´t want to see her act. "Poor Juliet´s been murdered so many times." Lora gets Banks to help her try it on her lover. Ainsleigh recognizes her, but conceals it, and pretends to be smitten with the little country girl. "May I call this evening?" He pretends to write her an address where she may find a room, then attempts to embrace her. Lora throws off her disguise and denounces him. "So I have found you out." Ainsleigh makes her read the note he gave to "Evelina." "You are a clever actress, Lora dear, but I knew you all the time." Lora admits she was wrong, and they make up. Notice: - The professional rights to this play are fully reserved. Professional actors wishing to produce it in any form or under any title are forbidden to do so without the consent of the author, who may be addressed in care of the publishers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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