A Prodigal Son
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Partner: | buecher.de |
Hersteller: | Forgotten Books (Robinson, Raymond M.) |
Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from A Prodigal Son: A Comedy in One Act Scene. - The dining-room in Mrs. Berkeley´s suburban home. A door at the back, C., opening on to the piazza; a window at the left of it. At the left of the stage is another window. Both windows are open. At R. are two doors; one, near the back wall, opens into a china closet; the other opens into an adjoining room. The essential furniture consists of a dining table, R. C., covered with a cloth which hangs nearly to the floor; a large clock in the upper left hand corner of the room, and several chairs. A portrait of the late Josiah Berkeley hangs on the wall, L. Sideboard, L. Enter Henrietta Stone, C., with a basket of fruit. She sets the basket on the table and goes to the closet, searches for a moment, then turns and calls to her sister. Hen. Caroline! Caroline Berkeley (outside R. ). Yes? Hen. Where´s the cut glass fruit bowl? Car. The cut glass fruit bowl? Hen. The one with the scalloped edges. Car. Isn´t it there? Hen. No. I wouldn´t ask if it was. Car. Didn´t you have it last night? Hen. You washed it this morning. What did you do with it? Car. (entering from R., wiping her hands on a towel). I don´t remember - why, there it is on the sideboard. (Hen. goes to the sideboard and brings the bowl to the table and begins to arrange the fruit in it.) It´s funny you didn´t see it there. Hen. (grimly). Very funny, indeed. Car. Henrietta, I wish you´d consult an occulist. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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