The Wit and Humor of America, Vol. 4 (Classic Reprint)
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| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Rabb, Kate Milner) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from The Wit and Humor of America, Vol. 4 The first night assignment Francis Holt received from his city editor was in these words: "Mr, Holt, you will cover the Tenderloin to-night. Mr. Fetner, who usually covers it, will explain what there is to do." Fetner, when his own work was done that night, sought Holt to help him with any late story which might be troublesome to a new man. They were walking up Broadway when Fetner, lowering his voice, said: "Here´s Duane, a plain-clothes man, who is useful to us. I´ll introduce you." As the reporters, in the full flood of after-theater crowds, stood talking to the officer, a young man hurrying past abruptly stopped and stepped to Duane´s side. "Well, Tommy, what´s up with you?" the officer asked. Holt noted that Tommy, besides being breathed, was excited. His coat and hat had the provisional look of the apparel of house servants out of livery, and his trousers belonged to a livery suit. Tommy hesitated, glancing at Duane´s companions, but the officer said: "Tell your story: these are friends of mine." "I was just on my way to the station house to see the captain, but I´m glad I met you, for we don´t want the papers to say anything, and there´s always reporters around the station." Holt would have stepped back, but Fetner detained him, while Duane said cheerfully: "You´re a cunning one, Tommy. Now what´s wrong?" About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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