A Catalogue of Indian Portraits in the Collection of Joseph G. Butler, Free Exhibition at the Y. M. C. A Building, Youngstown (Classic Reprint)
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| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from A Catalogue of Indian Portraits in the Collection of Joseph G. Butler, Free Exhibition at the Y. M. C. A Building, Youngstown It is noteworthy that both Mr. Burbank and Mr. Sharp have lived several years among the various tribes, studying the individuals, and becoming thoroughly familiar with their peculiarities. Both of these artists have to an unusual degree the rare gift of depicting character in the portraits which they produce. The observer will be convinced that Mr. Butler has been successful in accomplishing the purpose which he had in mind; namely, securing a complete collection of portraits of Indian chiefs and Indian types. The comments on the pictures which accompany the titles are memoranda made by the artists at the time the portraits were painted. Considerable inter est attaches to the following biographical sketches. E. A. Burbank. E. A. Burbank was born in Harvard. Ill., Aug. 10, 1858. He attended the Chicago Academy of Design in 1874. and went to Munich. Germany, to study art in 1887. In Chicago he was a pupil of Felix Regamy and Mr. Gookins, and in Munich he studied under Paul Nanen. He was awarded the Yerkes first prize at Chicago in 1893. and an Honorable Mention and Medal at the Atlanta Exposition. His work has also been shown at the Paris Exposition and the St. Louis World´s Fair. In 1897 he commenced painting portraits of types of all the different tribes of the American Indian. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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