Italy Old and New (Classic Reprint)
| Preis: | 15.95 EUR* (inkl. MWST zzgl. Versand - Preis kann jetzt höher sein!) |
| Versand: | 0.00 EUR Versandkostenfrei innerhalb von Deutschland |
| Partner: | buecher.de |
| Hersteller: | Forgotten Books (Haight, Elizabeth Hazelton) |
| Stand: | 2015-08-04 03:50:33 |
Produktbeschreibung
Excerpt from Italy Old and New One of my greatest joys in Rome has been my window. Not that my room boasts fair casement or bright stained glass through which light filters across floor in patterns or in pictures. My window does not shut me in with beauty but leads me out to life. It is a high casement window, for though this study in the Pensione Girardet by strange Italian calculation is said to be on the third floor of the old Palazzo, it is reached by six long, turning flights of stairs and when in the morning I fling open my shutters, I stand face to face with the saints on the roof of Santa Maria Maggiore´s choir. Greeting them, I lean out and look eastward to see if Monte Cavo´s crested height shows clear against the sky, omen of fair day, and then turning westward I salute the statue of Garibaldi on the Janiculum. So my day starts with all Italy from the Alban Mount to the War of Independence spread out before me. I would never live anywhere in Rome but on the Piazza dell´ Esquilino. Of all those gentle elevations which were once the seven hills of the Eternal City, the Esquiline seems to stand the highest now and the Campanile of Santa Maria Maggiore towers to the stars as once Maecenas´ palace on the Esquiline did. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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